تطبيق منهج التصوير الفني لسيد قطب في فهم سورة يوسف واستيعابها
[The Application of Sayyid Quṭb’s Artistic Imagery Theory in Understanding Sūrah Yūsuf]
DOI:
https://doi.org/10.33102/uij.vol35no03.547Abstract
ملخصتهدف الدراسة إلى تحقيق غرضين، أولهما: الكشف عن الإعجاز البلاغي من خلال نظرية التصوير الفني التي أسّسها المفكّر المعاصر سيد قطب، نتيجة من تعامله المتقن ومصاحبته المداومة مع القرآن الكريم. وثانيهما: الكشف عن أهمية تطبيق نظرية التصوير الفني في تدبّر القرآن الكريم، بالتركيز على الآية الرابعة من سورة يوسف. وتعتمد الدراسة على المنهج الوصفي والتحليلي، وذلك باستكشاف خلفية نزول الآية، قبل الانتقال إلى عرض خصائص نظرية التصوير الفني المتضمنة فيها، وتحليلها لإبراز سمة التصوير الفني والإعجاز القرآني فيها. وتشير نتائج الدراسة إلى أهمية تطبيق نظرية التصوير الفني في سبيل تدبّر القرآن، والتمعّن في النفس الإنسانية؛ للحصول على الفهم الشامل والمثير للعواطف. وبناء على ما سبق، تقترح الدراسة ضرورة تطبيق نظرية التصوير الفني؛ لأنها تسهم في فهم القرآن على شكل أفضل لدى أفراد المجتمع.
كلمات مفتاحية: الإعجاز البلاغي - التصوير الفني - سيد قطب - سورة يوسف - فهم القرآن
Abstract
The objectives of this study are twofold. First, to investigate the miraculous eloquence of Artistic Imagery Theory that was formulated by Sayyid Quṭb, twentieth-century thinker due to his strong relationship and consistent engagement with al-Quran throughout his life. Second, to identify the significance of this Artistic Imagery Theory as gateway to enhance better understanding of the al-Quran. The focus of this study is only on the 4th verse in Sūrah Yūsuf. A descriptive and analysis method is employed by exploring the historical background about revelation of the verse before identifying the characteristics of the Artistic Imagery Theory that are existing in the verse. The findings show that the Artistic Imagery Theory is relevant and useful in light of the aim to understand al-Quran comprehensively and affectively. Thus, this study come out with recommendation to adapt the Artistic Imagery Theory approach in order to contribute better understanding of the al-Quran among society.
Keywords: eloquence; artistic imagery theory; Sayyid Qutb; story of Yusuf; understanding of the al-Qur’ān
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